A newly married couple buy an approximately 175 year-old farmhouse in Westchester County, NY, and work to make it home. Neither is exactly handy. But they want to do as much as possible themselves, and to keep as much character and old house charm as possible. Much to learn and do.
I was fortunate to visit the monarch sanctuary in Zitácuaro (Estado de Michoacán, Mexico) many years back. Little could have prepared me for the erotic charge of thousands upon thousands of copulating monarch butterflies, hanging from the pines and falling through the air.
North of the border, little prepares one for the diaphanous and buoyant appearance of these hardy voyagers.
Are we prepared for a time when the glory of the monarchs' migration will live only in our childrens' storybooks?
The area of forest occupied by the butterflies, once as high at 50 acres, dwindled to 2.94 acres in the annual census conducted in December, Mexico’s National Commission of Natural Protected Areas disclosed at a news conference in Zitácuaro, Mexico.
That was a 59 percent decline from the 7.14 acres of butterflies measured in December 2011.
But an equally alarming source of the decline . . . is the explosive increase in American farmland planted in soybean and corn genetically modified to tolerate herbicides.
The American Midwest’s corn belt is a critical feeding ground for monarchs, which once found a ready source of milkweed growing between the rows of millions of acres of soybean and corn. But the ubiquitous use of herbicide-tolerant crops has enabled farmers to wipe out the milkweed, and with it much of the butterflies’ food supply.
A rapid expansion of farmland — more than 25 million new acres in the United States since 2007 — has eaten away grasslands and conservation reserves that supplied the monarchs with milkweed.
When I wrote "Unfolder," I was thinking about forest fires. Fire, I now realize, takes many forms. (Including, perhaps, the fire of my own intrusion on that place.) Here is my poem for the day (originally published in Political Cactus Poems, Palm Press, 2005).
BOYCOTT MONSANTO COMPANIES. PLANT MILKWEED.
Unfolder
the ardent ending monarch’s ardor began a large wedge-shaped cloud in the spring thousands were taking a fluent thoughtful nap re nocturne, alone all of them witch-doctors or in a Chinese dream woken-up philosophers the single golden rule overarches, ark or pendant limpidity of clouds
overlord my monarch the length of two thumbs light fills the windows clings to sun struts grows outward, leafing monarch emerges steeled blood jams into wings all that tickling insect clasped to cock’s fuzz is a trance, inside syrups a poison swapped about bitter-tasting heart’s spasm, an orange avoid
a million pages turning the library of spring spotted with shadows the piteous monarch propagates, replenishes ejaculates homeward to completion in summer the monarch’s a cloud woven of monarchs, one leaf journey’s length pulsating on, from ghosts and milkweed deposits a universe of monarchs
lazy winter monarch on a warm day ventures out for nectar, rubber in the saps & rough stems loves the poisoned milky fields, sleepy his “eyes” open above the coccyx looking for black-smudged veiny queens, wooed by the harmfully harmless lauzengiers, wing deep slips between sign & referent are not what they seem
monarch’s no mimic no midas, this goldfeeler melts you to the ore nympho or mendicant exasperating progress discovered by millions with wing covered sexes gets sticky all over in Zitacuaro it’s quiet piteous monarch, go roving, unfolding, trees branched into flames would that you lasted
NOTE: Written on news of a forest fire at the monarch butterfly (Danaus plexippus) sanctuary in Mexico. “Lauzengiers” is from Old Occitan and means “flatterer.” The flattery of the edible viceroy mimic (Limenitis archippus) threatens the monarchs’ warning system—bright coloration meant to warn predators of the distasteful cardenolides the monarchs sequester from milkweed. When roosting monarchs unfold their wings to gather sunlight, it is as though an entire tree bursts into flame.
for more on Jonathan Skinner and ecopoetics, see a fine interview at Poetry Foundation here.
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